Located in Berlin, Germany, AFMG® Technologies GmbH has created the industry standards EASE and EASERA software for acoustic simulation and measurement as well as their related products EASE Focus, AFMG SysTune, EASE Address and EASE SpeakerLab.
In cooperation with our partner company SDA Software Design Ahnert GmbH we develop and distribute software for:
A negative volume means that your room is "inside-out", which might result from the fact most or all faces or your model have the wrong orientation.
Especially when using statistical room acoustics or raytracing methods in EASE, calculations may provide erroneous results if the room is not closed properly. This is not as important when only the coverage of the sound system is investigated.
This 5 days on-site training will be based on EASE 4, giving an introduction to the new tool EASE 5-FE for a smooth transition.
Entry Level: 2 days (600 USD)
Advanced Level: 5 days (1,250 USD)
When I enter Audience Areas and/or Listeners Seats, are the seats already considered "occupied" for the mapping calculations? If not - how do I simulate real listeners?
Neither Audience Areas nor Seats do have any acoustical effect on simulation results, thus do not include any absorption data and are therefore acoustically transparent. Audience Areas and Listener Seats serve as receiver points for simulations only.
This free and open webinar will cover the most important features and tools in EASE 5-FE JR version.
This webinar is mostly for R&D engineers, technical directors in pro-audio manufacturers and those who are interested in loudspeaker modeling techniques. The participant is assumed to have experience in loudspeaker development and measurement and acoustic simulation.
We are looking forward to present you the innovative tools and workflows of EASE 5 First Edition at InfoComm 2023!
"EASE 5 is a big step forward. The completely new user interface combined with lots of useful tools and further improved simulation modules allow for much more intuitive and effective workflows."
“We are currently using EASE 4 in our company and I must say I'm very happy with the changes in EASE 5. The workflow is much faster and more intuitive.”
“EASE 5 provides swift simulation preparation, seamless integration with SketchUp, and visually stunning results, which make it perfect for creating high-quality reports. Its user-friendly design ensures a seamless experience for beginners and professionals, making it a valuable asset for your acoustic simulation needs.”
“EASE 5 is a game changer offering easy to use, intuitive tools and modern workflows. Not only is the ability to import a 3D DWG into EASE 5 out of Vectorworks Spotlight a huge time-saver, but it keeps the consistency throughout all of my engineering programs and allows me to deliver stunning visual content of acoustics and loudspeakers analysis alike, in both 2D and 3D, that every one of my clients can easily understand.“
“Thanks to the AFMG Team for being “agile” with this new version of EASE. It’s reassuring to see that AFMG is taking the user’s feedback into account and continuously upgrades its software with top voted remarks. There has been a lot of new upgrades in few months since the first version that I get, and everything is going on the good direction!”
“Congratulations to the AFMG team for excellent work on EASE 5 so far! The new technology and approach is highly appreciated, visualization and UX is great!”
“EASE 5 makes it easy to create audience areas and align loudspeakers. You can easily orientate yourself in the model at any time, which not only helps when working on the project but also enables a clear presentation for customers.”
“We’re happy to rely on EASE 5 as efficient tool for standard-conform STI and RT calculations. This is how we support the technical planners and architects in an efficient and cost-saving way.”
“EASE 5 greatly simplifies the process of creating and navigating around a 3D model. I was able to quickly learn the new interface and create predictions to help us design a system, and help the customer visualize the end-product.”
